Recording Tips: Keep it Simple
Thursday, March 3rd, 2011When I record a song, I have a tendency to layer many instruments on top of one another. Like, millions of instruments. OK, so maybe that’s a slight exaggeration, but I do tend to get carried away. Sometimes I’ll program a drum part that I think sounds pretty cool, but to beef it up I’ll double it on another kit. And then another. And maybe even a fourth.
Then I’ll play a guitar part. And maybe I’ll add a lead guitar line. I might even want to add a third guitar to harmonize. And of course, guitars always sound better doubled, right? So I’ll double the parts, lay down a bass, and think “hey, this song would sound great with a keyboard!” So off I go, recording a Rhodes and then laying down an organ bed to fill out the holes.
Finally it’ll be ready for my vocals. Maybe I’ll double the lead vocal because my voice isn’t super powerful. Then I’ll add a harmony part or two, and some four-part background “oohs” to take it all up one more notch.
Before I know it, I have 21 tracks of audio adding up to one huge wall of sound.
It sort of sounds cool sometimes, but mostly it just sounds a little confusing. With all these sounds, which is the one I’m supposed to be listening to at any given time? With the whole frequency spectrum being filled up by instruments, how can any guitar tone, kick drum, or vocal melody stand out amongst the blurry mess of sound that is my mix? (more…)

