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Posts Tagged ‘professional recordings’

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Featured Artist: Manx

Tuesday, December 14th, 2010

Juggling his music and a busy personal life, Manx found Studio Pros to be the perfect way to get professional recordings without having to leave his best friend’s side.

Studio Pros customer Manx calls his music “blue-eyed reggae,” although he plays much more than that. “I do a little bit of everything,” he says. “I have one country song and some pop/rock songs, I have a rock song, I even have kids’ songs.”

Manx has been playing music for most of his life. “Growing up, my father wouldn’t let me leave the dinner table unless I sang to Johnny Cash and Nat King Cole and played a little plastic guitar,” he remembers. But it wasn’t until he moved to California to treat his mentor and best friend Leigh for cancer that he finally decided to make some professional recordings of his songs. “I got a chance to follow through on my dream,” he says. “Leigh wanted to make sure I could follow through with the whole music thing.”

After not having much success in having his songs forwarded by TAXI, Manx signed up for Studio Pros after seeing a magazine advertisement. Without a band of his own, and knowing he would need to spend a lot of time with Leigh instead of spending days in the studio, he called the decision to go with Studio Pros a “no-brainer.” His choice was justified when a former bass player for Bob Marley heard his song “Give a Little Love” and wanted to work with Manx (hear the song below).

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Featured Artist: David Llorente

Wednesday, July 28th, 2010

David Llorente used Studio Pros for his first professional project and was blown away not only by the musicianship, but by how much they cared.

“It was probably one of the best learning experiences I’ve ever had as a musician.”

That’s how David Llorente feels about his time working with Studio Pros. “Just going through all the processes, seeing what people have to do to get a professional track cut. I didn’t know how long it took. I didn’t know everything that was involved from start to finish. And now, having gone through it with Studio Pros, I’m never gonna forget it. It was awesome.”

Llorente, a Nashville-area singer/songwriter, was hunting down recording options online when he discovered Studio Pros. “I really wanted to get this project out, it was real heavy on my heart,” he remembers. “I read about Studio Pros and thought, ‘that’s a good idea.’” Though intrigued by the idea, Llorente still needed convincing that Studio Pros was the best choice for his music. All it took to persuade him was a little research and a phone call to head of production Kati O’Toole.

“The credentials behind the staff are amazing,” he explains. “I actually went and checked out Katie’s albums that she had done. She’s not just a producer, but she’s a musician and songwriter.” Knowing that his songs were in the hands of fellow musicians put Llorente at ease. “I could hear that she’s passionate about what she’s doing. It was cool to have some people that really cared.”

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Featured Artist: Robert Norris

Monday, May 17th, 2010

With a little Studio Pros magic, Robert Norris is making music fun again.

Robert Norris had all but given up on music by his early thirties.  ”Music just wasn’t fun anymore,” he remembers. “I basically ran out of steam and decided to get on with my life.”

Norris had been a musician since he was a kid, when he took drum lessons and started his first garage band in junior high. As time went on, he began learning music theory, became a lead singer, and even got to sample the rock star lifestyle in the beach town of Marshfield, Massachusetts. “The summer we graduated, 1975, the drinking age was 18,” he says. “We were playing in bars that we were barely old enough to be in. Lots of fun, great experience, and a taste of the life.”

After a brief stint at UMass Amherst as a vocal music education major, Norris sang in several bands around the Boston area and began writing original music. After a band breakup, he took to the studio to record a cassette tape of original songs called Nobody’s Dream Come True. But despite getting some local airplay and seeing some interest in his songs, Norris felt like he had hit a wall; music was set aside and life went on.

But as most musicians can attest to, the music bug doesn’t easily go away; years later, Norris wanted to start singing again. But having been removed from the scene and all his old musician contacts for so long, he needed to hire session players for his recordings. “I contacted a studio locally,” he says. “Having no other viable options, I scheduled a four-hour session to start my first song. He charged me from the minute I walked in till the minute I left with no allowance for the three breaks the musicians took. And to make matters worse, I didn’t really like what we had recorded.”

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Featured Artist: James Robinson

Wednesday, April 7th, 2010

With the help of Studio Pros, James Robinson made recordings on the road and expanded his production company’s clientele.

James Robinson is one of the lead writers and producers of APT6 Entertainment, a music production team (also including Dwayne and Dwight Madison and Greg Edwards) based out of Los Angeles, CA.  As self proclaimed “R&B heads,” the team is heavily influenced by such classic R&B greats as Quincy Jones, Stevie Wonder and The Underdogs, as well as modern acts like Neyo, The Dream and Trey Songz.

“R&B is just our thing,” Robinson says.  “APT6 was birthed in the church/gospel music scene, so it’s only natural.”

Robinson joined APT6 in 2007, two years after it was formed.  Though originally brought on as a hip-hop artist, he was eventually made a co-owner.  Between Robinson, Edwards and the Madison Brothers, APT6 covered the composing/songwriting and keyboard playing side of things.  Studio Pros helped them have everything they need to be a full-service production team.

“Studio Pros is amazingly simple,” says Robinson.  “I can’t stress that enough.  We uploaded our WAV files, then we were prompted to leave notes and examples of what we were looking for. Within 48 hours we had our first sample! The engineer was almost dead on AND open to making adjustments.”

He soon learned to love the rapid turnaround time that Studio Pros offered.  “When we asked for adjustments on bass levels and reverb, we were shocked at how fast the turn around time was–I believe it was within a few hours,” he remembers.  “That was when I became a huge believer in the quality and customer service of Studio Pros.”

But the real kicker for Robinson was that he and APT6 did everything while they were on the road.  “We were going back and forth between in-home setups and handling a lot of business,” he explains.  Being in one place was close to impossible.”  And what did he think of what Studio Pros did with his simple recordings?  “The results were amazing.” (more…)

Featured Artist: Roger Miller

Wednesday, January 27th, 2010

Roger Miller, like many musicians, is a bit of a perfectionist. Luckily, Studio Pros is full of perfectionists as well.

At the beginning of summer 2009, Roger Miller acquired the funding he needed to record a full-length album of his Christian alternative acoustic music. In order to get a professional sounding product, Miller decided he would head to Nashville, TN, rent out a recording studio, hire session musicians, and put together an album that could hold its own against any major label production. But during his online search for recording studios, he came across a more convenient option that caught his attention: Studio Pros.

Unsure of whether or not Studio Pros could really deliver the top quality product he was looking for, Miller sent in just one song to test the waters. The final product convinced him to continue on with his entire album. “The final album and the songs, they exceeded my expectations quality-wise,” Miller says.

Miller sang, played guitar and even some cello on his songs, but one of his favorite parts of the process was working with the professional studio musicians that Studio Pros provided. Through this recording process, Miller had access to some of the best musicians in LA playing on his songs, while still involving him in the production of his album. “Going into it, I had pretty high standards,” Miller says. But he was impressed with the caliber of playing he received. “The drum tracks were incredible. They were a lot better than I thought they were going to be. The backing vocals were stellar.” Miller used a strategy that combined using his own very specific musical ideas in conjunction with letting the musicians improvise and do their own thing when the songs called for it.

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