How to avoid the pitfalls of your previous studio experiences—and vastly improve your chances to get your song published with major A&R representatives.
Stephen McElligott reminisces about a recording he made of one of his songs in a local studio. “I wasn’t happy with that production, really,” he recalls. “I thought, ‘Oh gosh, how am I gonna save this?’ I basically turned around and found Studio Pros and thought, ‘Brilliant, they’re my savior.’”
McElligott has been playing music since he was seven years old. He wrote his first song at 16 and soon began playing in clubs and venues around Ireland and Scotland. His music is influenced by music that spans many decades, from The Beatles to Glen Hansard. But after years of writing and performing, McElligott still hadn’t achieved a major goal: recording a professional sounding, radio-quality version of his songs. “I’ve worked with musicians before, and it’s like wearing a blindfold when you take them into the studio because you’ve gotta pay them, and you don’t know how good they are, you haven’t really heard their stuff,” he explains.
Recording A Song Professionally Without Breaking The Bank
The Irish guitarist/singer/songwriter had been in need of a polished, professional recording solution that wouldn’t break the bank. Plus, he was hoping to have better luck submitting his music to TAXI to get song placements and licensing opportunities. He stumbled upon Studio Pros while searching online for recording studios and decided to learn more. “I clicked on it and thought, this is cool, and it’s affordable,” he says. “I had a listen to some samples and thought it was brilliant. I really needed this with the budget I’m on. I would spend 250 Euros on a musician for a day in the studio, whereas Studio Pros is only $150. I thought it was fantastic—it’s not often that you get to work with really good professional musicians, you know?”
Listen to Stephen’s track “She Blew Me Away,” produced by Studio Pros:
“With Studio Pros, they give you a listen to the musicians’ capabilities, what they’re able to do, and the versatility that the musicians there have. And that really was the winner for me. It was the overall sound even more than the price.” (more…)
Thinking his music career was over, Arizona-based artist Tony Perre used Studio Pros to get back in the game.
“My experience with Studio Pros has allowed me to dream a little bit more about what I can actually accomplish as a musician,” says Tony Perre. “Studio Pros has allowed me to take all of my musical ideas and songs and get them out there. To me, having a very simple process with great musicians who basically do exactly as I ask them to do, with their quality of musicianship, it’s just such a winning formula to me that I can actually dream again from a musical standpoint.”
Perre had all but given up on music after a wakeboarding accident left him with limited mobility in his left arm, effectively minimizing his ability to play guitar. But after adjusting his playing style by relying on the use of a capo, he got the chance to play live music again with some friends in a local band. Knowing he could play again—and realizing he still had good ideas for songs and lyrics—Perre credits Studio Pros with providing the tools he needed to get back to making the music he loved so much. “I found out really quickly how badly I missed playing out, and I found out I could still play,” he explains. “If I could sum everything up in one sentence, it would be that there’s no expiration date for musical and lyrical inspiration.”
Studio Pros first came into the picture when Perre took the advice of a friend who knew he was looking to record an album. “He recommended that I check out the Studio Pros online method of getting my record produced,” he remembers. “When I went on the website and I saw all that Studio Pros had to offer, I was absolutely blown away. I thought I’d give it a try with one of my nine songs, and I quickly realized during my first song that this is no joke, this is world class.”
Perre soon realized that Studio Pros was the best possible route to take for his music. “I honestly felt that, as a business guy, I don’t have a heck of a lot of time to do what I used to do: cross my fingers and hope that all my band members would have some time to spend in the studio. It was just a really long, very difficult process to get everyone together at one time.” He began comparing his Studio Pros experience to past attempts in recording studios and the choice became clear. “I checked out some local studios here in [Arizona] and it just became very apparent that, because I work a day job, it would be impossible to get something together in a short period of time with the quality of musicians that Studio Pros has.” (more…)
Gary Quinn is a songwriter that knows how to pull on the heartstrings of his audience. Creating beautifully crafted lyrics, he draws you in with his picturesque storytelling through his swooning country melodies. Quinn grew upin] Ireland where he listened to his father’s Kris Kristofferson tapes, but he ended up falling in love with American country music after hearing the Garth Brooks album No Fences in the early ’90s. “There’s a big country and Irish scene with an undercurrent of American country, which is what I’m into,” Quinn says of Ireland. “It started picking up again with the likes of the Internet. It’s a bit more accessible.”
Check out Gary’s Song “He Don’t Show Her Anymore”:
While there is a country music circuit in his homeland, most performances were limited to festivals, which Quinn has played a few of. Between those gigs, he hosted his own singer/songwriter night in a local pub to give him the chance to play with various local country bands and showcase his original material. Quinn has since moved to England to take his career to the next level and be more surrounded by a busy music scene. He had already begun work on an album when he had found StudioPros as an option to get his songs professionally produced by their LA based team of musicians all from his home base in the UK. Upon their first conversations, StudioPros’ producer Kati O’Toole picked a song Quinn submitted as a clearly commercial and well written track. Together they took his demo and organized a production that would showcase his hit worthy single in the best light.
Choosing the best country musicians out of the StudioPros team and the best country instrumentation, they organized his first recording and started tracking his first project, He Don’t Show Her Anymore. For the project they picked a combination of electric country guitars with acoustic guitars, mandolin, live drums, bass and keyboards. StudioPros’ vocalist Racquel did all of the backing vocals to support Gary’s lead and really bring everything together.
“This is a song that I can see as a commercial country track that would be perfect for radio airplay. That’s why I was very excited to get our team of musicians to work on this track” O’Toole stated. “With the right promotional steps, I can really see Gary’s career taking off. I’m excited that StudioPros has had a chance to be a part of the recording process for Quinn as he takes the next big bounds in his music career.”
Describing his experience with StudioPros, Quinn stated, “I actually found the experience very easy,” he says. “The whole process was very slick and very quick. I was delighted with the turnaround. Sometimes whenever there’s a quick turnaround you expect to sacrifice quality, but the quality was right up there at the top as well. I was delighted to get the opportunity to record with StudioPros.” Quinn started by providing the production team with an acoustic demo mp3 of his song and watched as step by step his song took on a new fully produced sound at a professional recording quality. After all of the instrumentation was tracked, he took care of the vocals himself, and even recruited well renowned Sarah Jory—a pedal steel player who has performed with Van Morrison—to play on his track. Incorporating his own favorite musicians into the production as well as providing vocals gave his recording that personal touch his song deserved.
Studio Pros artist Eliza Kelley has been a professional musician for years, but not of the rock variety. With a master’s degree in French Horn performance from Boston University, she has been playing and teaching classical music for a living in her hometown of Atlanta, GA. “I play with the Greenville Symphony, and I play in Atlanta with the Atlanta Pops and the ballet and the opera,” she says. “Those gigs are very fun, but they’re also very serious, very focused and high-pressure.”
Looking to enjoy the lighter side of music, Kelley took up a hobby as a singer/songwriter, a decision she’s glad she made. “I’ve been totally having a ball with it,” she says. But she didn’t initially intend on playing the indie-rock that now defines her sound until she began collaborating with Studio Pros. Originally writing pop songs with cello and percussion arrangements, it was a conversation with Studio Pros’ head engineer Kati O’Toole that convinced Kelley to go the rock band route. “When I talked to Kati the first time, she told me about the full production,” she remembers. “I thought I’d try it. I’m really happy with the direction it’s taken with Studio Pros. It does make me want to find a guitarist and bassist that I can go out and gig with.”
Kelley found Studio Pros while searching for ways to get professional recordings of her songs. “I was trying to record my own stuff. I have plenty of friends that are musicians, but getting a good recording, I mean I’m not a sound engineer,” she admits. “I could use some help with it, and I loved that Studio Pros was a great package. You get musicians and pretty much everything’s done for you. I didn’t have to rely on lining people up and doing all of that. I really loved the way that Studio Pros was all-inclusive.”
I watch the Grammys every year. I almost feel obligated to, like I would be missing out if I didn’t check out the biggest award ceremony of my industry. Sometimes there are a lot of artists nominated that I love, and other times my tastes differ from what the general public has been listening to for the last year.
When I was a kid, I would root for my favorite artists to clean up at the Grammys and yell at the screen in disgust when someone won who I thought was undeserving. I suppose that’s about the same for everyone who watches, even people in the theater at the ceremony itself. But as the years went on, my admiration grew for anyone who was winning a Grammy. Even if I wasn’t personally a fan of their music, I respected the artist’s musical accomplishments. Maybe I started thinking that I couldn’t really criticize the winners until I won a Grammy myself!
Another thing happened as I got older, something really fun: I started to personally know people who were nominated for the awards. After years in the business and a degree from Berklee College of Music, suddenly my peers and friends were winning the most prestigious award in music. Best new artist Esperanza Spaulding went to Berklee while I was there, and a friend of mine won a Grammy for his involvement on Eminem’s album.
But the big news for me to report is that one of Studio Pros’ very own keyboardists was among the Grammy winners! He played on The Stanley Clarke Band’s self-titled album, which won best contemporary jazz album. We’re always touting our Grammy-nominated engineer, but let’s not forget that our session musicians are of Grammy-caliber performers as well, and this win proves it!
With an upbringing that included classical Indian poetry and Eastern mysticism, it’s no surprise that Dimple Sharma’s music is infused with the sounds of music heard on the other side of the globe. Born in India, her parents passed on their love of the local culture. “My father’s side in India descended from a long line of meditators,” she says. “Thus, the mysticism of the East was ever present in my upbringing.”
Sharma has since moved to Toronto, Canada, but the Eastern inspirations of her childhood remain in her music. Combining a love of singing and writing songs with her seven years of experience studying ancient esoteric texts, she managed to develop a unique style that’s as much spiritual as it is musical. “The music became a mix of my east Indian origins and western sounds akin to Delerium or Tangerine Dream,” she says, referring to her use of instruments such as sitar and tabala on many of her songs. “The lyrics were written for the urban monk–the individual adapting to the ever-changing, modern paradigm, yet still upholding traditional values and principles.”
When she was having trouble finding reliable musicians to record her projects, Sharma turned to Studio Pros to get Los Angeles session players to quickly record professional tracks for her songs. “I had read positive things about Studio Pros in music magazines years back, and I decided to contact them,” she remembers. “In the past, it was not easy to find musicians that had the technical expertise in addition to a high level of professionalism and ability to follow through on a timely basis.”
So, you’ve decided to start your first project with Studio Pros. Great! You’ll notice that the first step after placing your order is the upload page. This is where you get to upload a scratch version of your song for our musicians to work from, plus any other files you might want to include. Here are some important things to keep in mind to help you prepare to make your Studio Pros project go smoothly.
Record to a Click Track
One of the most helpful things to provide our studio musicians is a song recorded to a click track. The click track is like a metronome; it keeps the beat steady and even. Recording to a click allows our players to know exactly where they are in the song while recording their parts. If you’ve never recorded to a click before, you might try using an online metronome to determine your song’s tempo. Then, download a free audio recording program such as Audacity and set up a click track. Record to the click, then upload your rough recording to our website.
Take note of the tempo (measured in “beats per minute,” or BPM) so you can tell the Studio Pros musicians what they’re recording over. This will help to ensure that our session players are laying down the right parts for your song.
Upload a Text File With Instructions
Although you get a chance to write some instructions during the ordering process, you may want to get into more detail for your song (or you may have forgotten something when you first ordered). Write instructions for your song in a text file, and be as detailed as you’d like. The more direction you can give the musicians, the better. Save your directions to a convenient file format—TXT, RTF, and DOC are usually good choices—and upload them at the same time as you upload your scratch recording to make sure our players don’t start recording before you tell them everything they need to know!
Use Reference Tracks
Reference tracks help our players understand the musical context of your song. Because music can be described in vague and subjective language, having solid examples of what you’re looking for can help immensely. See our post on reference tracks for more information on this.
Include Chords and Song Structure If You Can
Whenever possible, it’s good to provide the musicians with the chord progression and the structure of your song. For example, you could write:
INTRO (4 bars)
[Em ] [Am ] [Em ] [G Am]
VERSE (8 bars)
[Em ] [Em ] [Am ] [Am ] (x2)
This, along with the click track and instructions, will help make sure our musicians know the correct structure for your song.
When you’re recording a project with Studio Pros, the more you information you can provide our musicians with before you start, the easier it will be to get the song you’ve envisioned to become a reality!
Isham knew his songs couldn’t reach their full potential in the confines of his project studio. So he used Studio Pros’ musicians and engineers to bring them to levels he couldn’t reach on his own.
Five years ago, Studio Pros artist Isham first started getting serious about music and began exploring the many facets of being a musician. “I was torn between the artistic and technical aspect,” he says. “I love electronic instruments and old vintage stuff.” Not classically trained on any instruments, he initially relied on sequencers and software–plus a little vocal training–to take the music that was bouncing around his head and make it a reality. Isham used his home project studio to create music inspired by old R&B and soul artists such as Stevie Wonder, Prince and James Brown and electronic artists like Kraftwerk, The Crystal Method, Prodigy and Daft Punk. “I spend a lot of time in my project studio,” he says. “I use it to draft some instrumental tracks that I can share with my lyricist partners.”
Currently living near Bern, Switzerland, Isham realized he needed to take his music out of his project studio into a more viable option to create broadcast-quality recordings. So he turned to the Internet, where he found Studio Pros while searching for guitarists and vocalists to record custom tracks for his songs.
“I was already quite used to using the Internet to share my work with studios and session musicians,” Isham says. “But I was not always happy with needing to go to several places to get a final product.” He appreciated that Studio Pros was something of a “one stop shop” for all of his recording needs, from instrumental tracks to mixing and mastering. “Most of the instruments we need to do a pop/rock/electronic/R&B song are available in one place,” he notes.
Isham was also impressed by the quality of Studio Pros’ session musicians and how quickly they could crank out quality tracks. “I’m amazed how in two or three days they can bring your instrumental tracks to another level,” he says. “And I really liked the very friendly and helpful staff. Kati is so nice and she always has good advice.”
Do you check your email first thing in the morning?
Do you get up to date with the news online over an early cup of coffee?
Do you use the web to check your bank account balance?
These days we use the Internet for just about everything: communication with old friends via Facebook; updating our financial portfolios and checking stocks; even buying movie tickets for the 8:30 show. If you’re anything like me, the net is your go-to resource for just about everything. Sometimes I roll out of bed and land at my desk, checking my messages before I even brush my teeth. Now with smart phones providing Internet access just about anywhere, pretty much everything is tied to the online world. Even grocery shopping has moved from a notepad to an iPhone app for many people.
I use the web for music stuff, too. I like discovering new music, reading news about my favorite bands, even listening to streaming music online is simple now. But the net is not just a great resource for hearing other artists’ music; it’s also a great resource for your own music career.
Sure, there are sites that have articles about making it in the music industry today… So many in fact that it can be a bit overwhelming to read all the advice that’s available to you. But while many musicians turn to the Internet for tips on how to take their career to the next level, most don’t realize the Internet can actually be used to take their career to the next level.
I’m not talking about making a Facebook music page, although that’s certainly a good thing to do. I’m talking about using the web to record an amazing album.
That concept may even sound a little crazy to you. But ten years ago, the idea of being able to instantly watch millions of hours of video probably sounded a little crazy. And here we are, all regular users of YouTube without even thinking about that simple fact.
Did you know that you probably already have enough music to record your album? Even if you just have the basic sketch of a song in your head, it’s probably enough to get started. The Beatles once famously said that “all you need is love.” I’m here to say that if you want to record your music, all you really need is a melody and a chord progression. (A little love doesn’t hurt, either!)
You don’t need every section of your song planned out note by note; you don’t need the intro melody or the solo section completely written. All you need is a “sketch.” The song sketch is a rough outline of your song… And when you get world-class, top-notch session musicians to play on your recordings, they help flesh out your creation with their professional expertise. The chord progression, melody and lyrics are the heart and soul of your creation–they are what the whole rest of the production is based off of.
But the production process involves getting down to every last little detail in the song, whether that’s a cool guitar lick in the bridge or a melodic hook in the background vocals. With Studio Pros, you get to be involved in every last step of the process, giving your approval for every instrument as its being recorded. But along with giving your feedback, you get to work with some of the best musicians in the business–musicians who have recorded on hundreds of albums and engineers who have been nominated for Grammy awards. Because of this, you end up collaborating with top professionals who know how to take your song to the next level and make you stand out among the throngs of musicians trying to get heard by record labels and music supervisors.
“My experience with Studio Pros has allowed me to dream a little bit more about what I can actually accomplish as a musician,” says Tony Perre. “Studio Pros has allowed me to take all of my musical ideas and songs and get them out there. To me, having a very simple process with great musicians who basically do exactly as I ask them to do, with their quality of musicianship, it’s just such a winning formula to me that I can actually dream again from a musical standpoint.”
I watch the 
With an upbringing that included classical Indian poetry and Eastern mysticism, it’s no surprise that Dimple Sharma’s music is infused with the sounds of music heard on the other side of the globe. Born in India, her parents passed on their love of the local culture. “My father’s side in India descended from a long line of meditators,” she says. “Thus, the mysticism of the East was ever present in my upbringing.”
