StudioPros

Kevin Tye had never made a professional product with his music.  With the help of Studio Pros, he’s now taken his passion to the next level.

Kevin Tye has quite a bit of musical experience–he played in local bands for almost a quarter century. Eventually he moved on to writing his own material, taking advantage of the fact that he could set up a home studio very easily with today’s computer recording options. These days, he writes and records songs in his spare time when he’s not a this full-time job as a teacher. “I do it as a passion,” he says. “I just like to create things.” But until recently, he had never attempted to make a fully professional recording of his music.

Tye writes in multiple styles and genres, but as of late he has been focusing his creative efforts mainly on writing country songs. He saw an ad for Studio Pros in a magazine. “I decided I would give it a try,” he remembers, “to see what one of my songs would sound like through a professional studio.”

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“I was a bit unsure exactly how it was all gonna play out,” he admits. But Tye’s confidence grew with each step of the recording process with Studio Pros; it started with a song sketch and built from there, while he gave his input on each of the tracks as he heard them. He was particularly interested in hearing the musical direction his songs would take by letting Studio Pros’ session musicians make their own decisions. “I wanted to see what the choices would be for people who are doing this thing day in and day out,” he explains. Then, giving more of his own feedback as the process went on, Tye struck a balance that he felt optimized his songs. “In the end I think it was a good mix of musical choices. For example, the singer did some slightly different things in the vocal than I had done, which I ended up liking quite a bit. So it was kind of that process where I was just feeling it out at first, then giving more input at the very end stages.”

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Sometimes an awesome guitar solo can add a new level of energy and fun to a song. In some cases, particularly in songs from guitar-focused bands like The Black Crowes and Van Halen, the guitar solo can be the defining moment of a song. On the opposite end of the spectrum, a bad solo can really bring a song down with it. Imagine that just when you are really getting into a song, suddenly a lame solo completely takes you out of it–and once you’re gone, the song may never recover.

It’s important, then, to be sure you’re laying down a sweet solo whenever you record your song–a solo that will enhance it and not hinder it. Here are some tips for recording the ultimate guitar solo!

To improvise or not to improvise?

Even before you go to record your guitar solo, you have some decisions to make. Do you want to sit down and write a solo beforehand or are you planning on improvising one on the spot? Unless you’re a seasoned improviser and you’re playing music that typically involves heavy ad-libbing (like jam band music or jazz), I would recommend at least outlining a sketch of your solo beforehand. You don’t have to plan it lick-for-lick, but it’s a good idea to come up with some basic guidelines: how long you’ll play in one position before shifting up an octave, what bar you want to play a cool arpeggio over, where you’re going to fit in that really catchy lick you came up with, etc.

When I was recording the solo to a song that had a particularly complicated chord progression, I knew I needed to work out what I would play ahead of time, because I probably wouldn’t improvise anything memorable on the spot. I was really glad that I did–the solo that I ended up writing was much more thoughtful and interesting than what I would have made up, and it became a signature musical moment for my band.

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At Studio Pros, we give you the best tools possible to record a hit song: world-class musicians.

When I say that, I mean that these session players, engineers and producers have major label credits with famous artists. In fact, we don’t accept any musician to work for us who doesn’t have these credentials. The big advantage to using Studio Pros’ musicians for your own songs is the experience and professionalism they bring–and the inspiration they draw from the top-level artists they’ve worked with.

You’re in charge

Even the best musicians on the market won’t give you the results you’re after if you don’t have a say in what they’re playing.  The special thing about Studio Pros is that you’re the boss of the production process–you get to give feedback every step of the way.  But, just like a craftsman must know how to properly use his tools in order to build something, you should know how to use the great tools we provide–that is, excellent musicians.

How to give great instructions

1. Never leave wiggle room. For example, don’t say “I think the tempo should be somewhere between 100 and 120 BPM… Or maybe a little slower.” Give very specific instructions: “The tempo is 113 BPM.” If you’re not sure what the tempo should be, a quick phone call to one of our producers will give you a solid answer.  Leaving details open-ended could result in a result you hadn’t planned on.
2. Always be specific. Mention parts in minutes and seconds instead of bars, beats, etc. Say, “When the chorus comes in at 2:03, the drummer should switch to ride cymbal.”
3. Describe in detail the playing you want to hear. Give examples and reference songs to help the processes. We once had someone tell us, “I want the guitars to sound like rain.” Since that’s a very subjective description that can be interpreted in various ways, we could only guess as to whether or not we were recording what they wanted!
4. Lay out every one of your expectations. If you’re expecting to get something done the way you want, say it.  Even though you’re dealing with great musicians, they can’t read minds. If you don’t specify what you want, you probably aren’t going to get it!

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