StudioPros

How to avoid the pitfalls of your previous studio experiences—and vastly improve your chances to get your song published with major A&R representatives.

Stephen McElligott reminisces about a recording he made of one of his songs in a local studio. “I wasn’t happy with that production, really,” he recalls. “I thought, ‘Oh gosh, how am I gonna save this?’ I basically turned around and found Studio Pros and thought, ‘Brilliant, they’re my savior.’”

McElligott has been playing music since he was seven years old. He wrote his first song at 16 and soon began playing in clubs and venues around Ireland and Scotland. His music is influenced by music that spans many decades, from The Beatles to Glen Hansard. But after years of writing and performing, McElligott still hadn’t achieved a major goal: recording a professional sounding, radio-quality version of his songs. “I’ve worked with musicians before, and it’s like wearing a blindfold when you take them into the studio because you’ve gotta pay them, and you don’t know how good they are, you haven’t really heard their stuff,” he explains.

Recording A Song Professionally Without Breaking The Bank

The Irish guitarist/singer/songwriter had been in need of a polished, professional recording solution that wouldn’t break the bank. Plus, he was hoping to have better luck submitting his music to TAXI to get song placements and licensing opportunities. He stumbled upon Studio Pros while searching online for recording studios and decided to learn more. “I clicked on it and thought, this is cool, and it’s affordable,” he says. “I had a listen to some samples and thought it was brilliant. I really needed this with the budget I’m on. I would spend 250 Euros on a musician for a day in the studio, whereas Studio Pros is only $125. I thought it was fantastic—it’s not often that you get to work with really good professional musicians, you know?”

Listen to Stephen’s track “She Blew Me Away,” produced by Studio Pros:

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“With Studio Pros, they give you a listen to the musicians’ capabilities, what they’re able to do, and the versatility that the musicians there have. And that really was the winner for me. It was the overall sound even more than the price.” (more…)

Thinking his music career was over, Arizona-based artist Tony Perre used Studio Pros to get back in the game.

“My experience with Studio Pros has allowed me to dream a little bit more about what I can actually accomplish as a musician,” says Tony Perre. “Studio Pros has allowed me to take all of my musical ideas and songs and get them out there. To me, having a very simple process with great musicians who basically do exactly as I ask them to do, with their quality of musicianship, it’s just such a winning formula to me that I can actually dream again from a musical standpoint.”

Perre had all but given up on music after a wakeboarding accident left him with limited mobility in his left arm, effectively minimizing his ability to play guitar. But after adjusting his playing style by relying on the use of a capo, he got the chance to play live music again with some friends in a local band. Knowing he could play again—and realizing he still had good ideas for songs and lyrics—Perre credits Studio Pros with providing the tools he needed to get back to making the music he loved so much. “I found out really quickly how badly I missed playing out, and I found out I could still play,” he explains. “If I could sum everything up in one sentence, it would be that there’s no expiration date for musical and lyrical inspiration.”

Studio Pros first came into the picture when Perre took the advice of a friend who knew he was looking to record an album. “He recommended that I check out the Studio Pros online method of getting my record produced,” he remembers. “When I went on the website and I saw all that Studio Pros had to offer, I was absolutely blown away. I thought I’d give it a try with one of my nine songs, and I quickly realized during my first song that this is no joke, this is world class.”

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Perre soon realized that Studio Pros was the best possible route to take for his music. “I honestly felt that, as a business guy, I don’t have a heck of a lot of time to do what I used to do: cross my fingers and hope that all my band members would have some time to spend in the studio. It was just a really long, very difficult process to get everyone together at one time.” He began comparing his Studio Pros experience to past attempts in recording studios and the choice became clear. “I checked out some local studios here in [Arizona] and it just became very apparent that, because I work a day job, it would be impossible to get something together in a short period of time with the quality of musicians that Studio Pros has.”
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Using Studio Pros to breathe new life into some old songs, English Earl successfully proved to himself that he had what it takes to make great music.

English Earl suspected he had some good songs on his hands, but he knew his productions just weren’t going to cut it against the high-quality recordings of today’s music industry. “I kind of wanted to resurrect my old pop songs and write a few new ones, I thought it would be a great opportunity to prove to myself that some of my pop music wasn’t so bad,” Earl says with a laugh. This “resurrection” refers to the fact that he has been writing pop music since he was a 15-year-old in a garage band, but formally Earl was classically trained on piano and violin. After getting degrees in music theory and composition from the Conservatory of Music in Kansas City, he had established his classical chops. But Earl wanted to see how his pop and rock writing had evolved.

In order to really see what he could do, Earl knew he had to graduate from his local Charleston, South Carolina music scene; he needed to hire some real professionals. In the process of working with Studio Pros, he realized that their world-class session musicians weren’t just good for laying down polished sounding tracks… They could also give him valuable input and musical insight to improve the production of his songs.

“I think the main reason I chose Studio Pros was because I knew they had some very good musicians and vocalists there,” Earl explains. “I knew that the people I’ve worked with before in the studio who were just local musicians, they were there to make a living but were not really there to put too much into a song or its production. I felt that the quality of the studio musicians at Studio Pros might be higher.”

Logistics also played a part in Earl’s decision. Most of the musicians he knew were in Virginia (where he used to live), making the price of recording a little too steep. “Living in Charleston made it impossible for me to go back and forth to record there, so I would have to drop all those musicians and start all over again, anyway,” he says. “And my schedule’s so busy, I couldn’t go in and teach everyone a song. Instead I could start recording with Studio Pros and not actually have to be in a studio.” Earl calculated the costs of recording an album the traditional way and decided Studio Pros was the way to go. “It was way too expensive for me to continue [the old way]. By the time you pay for studio costs, the musicians, the time you spent traveling, the CDs themselves and the artwork and everything, I felt like I was spending a lot more money than I needed to.”

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EDGE is a Studio Pros artist with a very unique sound. “My musical style is a mix of all the influences I had from my work and personal life,” says the French-born musician. “It’s also a mix of all the different periods I went through with music styles.” Some of these musical phases included The Beatles, Erasure and The Cure. He’s also been influenced by Brit pop like Pulp and the Manic Street Preachers, French music and American bands like Smashing Pumpkins and System of a Down. The result is a sound that touches on each of his international inspirations and keeps the listener wondering what to expect from the next song.

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Currently residing in Switzerland (after some time living in London and Madrid), EDGE came to Studio Pros after several disappointing experiences working with various sound engineers. “I was looking for people who could understand what I wanted to reach in terms of production,” he explains. “I found Studio Pros on the web and listened to the previews on the website. I found them just amazing, and decided to try.”

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